Aphantasia: I think in shape-feels

I am one of the estimated 1-3% of people who are not able to think visually. To conjure mental images. I cannot remember what your face looks like because I cannot remember what anything looks like. I cannot picture a summer day, or the setting of my story, or the last time I saw my mother.

Until a few years ago, I thought this was normal. I thought people talking about ‘picturing’ things in their mind were speaking metaphorically.

That was when I first learned about ‘aphantasia’. Which is a fancy way of saying ‘lack of mind-pictures.’ That’s me. I lack mind pictures.

I learned about aphantasia on the Fediverse a few years ago when someone I was following ran a short poll related to it. Asked folks ‘what do you see when you close your eyes and try to picture a red heart’ or something similar.

And one of the options was ‘I see a red heart.’

I stopped and stared a moment.

My brain froze as I tried to assimilate… some people literally see ‘a red heart’.
I’ve tried to call up visual images before. Often when trying to figure out what my characters look like or remember a person’s face. Trying to picture a red heart worked the same as all those other attempts — a… sense of a line being traced, the feeling of the outline of a heart being drawn. And in the wake of that tracing an… almost image? A grey-on-grey (except not grey, because it’s not an image at all?) outline of a heart that is more felt than seen, but if it was visual it would be… like ultraviolet? Not part of the visual spectrum, but sensed in some way that I didn’t have words for so I used the words of sight because I didn’t have anything else.

Confused?

I sure was.

I was even more confused when I submitted my answer to the poll and found that the majority of respondents literally saw a red heart. Like, wtf? You people seriously do that?!?!

Apparently?


I’ve gone through this background because I want the phantasmic folks reading this (which probably are most of you?) to understand how shocking having actual pictures in your head is to me.

I want you to understand that what I’m going to try to put words to next is my normal. I have trouble putting words to it because the words don’t exist. But as strange as this will (apparently) sound to you, to me it’s y’all’s visual thoughts that are strange and kind of disturbing. What follows is just… me.

Kinesthesia

Kinesthesia is the sense of our bodies and physical space. Knowing how to touch your nose with your eyes closed is kinesthesia. So is knowing without looking if your hand is clenched or loose.

People with high levels of kinesthesia can build a mental picture of the space around them so they can navigate it better. Say, trace a maze with their eyes closed or predict where a ball will land. Athletes tend to be highly kinesthetic.

There is, of course, a reason I am talking about kinesthesia.

My thoughts are not visual, they are kinesthetic. Or, as I prefer to call them, ‘shape-feels.’

Well, some of my thoughts are verbal. But that verbalness is just for my surface-level thoughts. Everything else? Shape-feels.

Shape-feels

Every idea or concept I know has a shape-feel. For concrete things, the shape-feel is representative. The shape-feel for ‘chair’ is a kinesthetic sense of a basic wooden chair. Imagine the feel of running your hands over a wooden chair — the back, the supports, the seat, the legs — now put those feelings together into one coherent tactile sense of a chair. That’s my thought ‘chair’.

Abstract ideas… well, let me give two examples. Love (the feeling) is a warm cloud (with a fuzzy-blanket texture) wrapped around me. Loving (as in ‘love is a verb’) is a sense of two different things growing together to create something new. Again, the tactile feel of these things.

If I close my eyes and think of the room I am in right now, it’s almost like an echolocation thing? A sense-feel combining how far furniture, walls, etc are from my body and the shape of those things to form a tactile ‘picture’ of the room.

Some shape-feels are completely abstract and impossible to describe. My shape-fell for myself is one of those. It’s… the best I can describe it is there is a warmth in my center that is the essence of ‘Jess’. It is vaguely ball-shaped, but only in the sense that enough warmth radiating out of anything becomes ball-shaped eventually. I could hold it in my cupped hands. It has layers. Sort of. But those aren’t anything about what it is. What it is is me. In some essential way that words don’t encompass.

I don’t see colors, of course. But my memories can be color-coded. Like a paint-by-number picture, my shape-feels can sometimes be labeled ‘this is red, this is green,’ etc.

Of course, when I am thinking, a lot of thoughts and concepts can happen in a short time. I rarely have time to be aware of a large number of discrete shape-feels. Instead, it’s more like a tactile version of those timelapse videos of clouds passing across the sky. One shape-feel shifting into another, forming a coherent thought process that I (often) automatically translate into words, because habit.

Intentional thought often comes in words, verbally. ‘Talking to myself’ thinking that just about everyone is familiar with. But often as I am ‘talking to myself’ I’ll hit a point that I don’t have words for. And then I let the shape-feel fill in for the words I don’t have and move on.

If we are talking and I stop and say ‘words…’ (as I tend to do) it’s because I don’t know how to turn the shape-feel thoughts into words.

When Words Don’t

I have said elsewhere that I am more comfortable being nonverbal than verbal — that being nonverbal feels more natural to me. I think this is why. Because all verbalness is a kind of masking. It’s translating the essence of my thoughts into a language I can more easily manipulate and others can understand. Autistic people in general are more likely to be aphantasmic, so there is a possible correlation between aphantasmic thinking and being nonverbal. One of the many things I wish there was more information about, but won’t be because most researchers are assholes.

Nothing I don’t have a shape-feel for is really… real to me. This has come up in two contexts recently. Once discussing programming. I struggle with programming in part becasue programming ideas (function, in that case) are just words. It doesn’t matter how often I read the definitions (more words), if I can’t formulate a shape-feel for a concept I don’t understand it. The idea, based only in the word, feels unanchored, floaty, ephemeral. I need a shape to anchor it in, to explore, run my hands over, internalize, to understand something.

The second time was a Twitter convo where I was trying to start a conversation about what it means to be a nonbinary dominant. Baffling to me at the time, no one else seemed interested in discussing it. One friend asked me why we needed to discuss it? Why do we need to define it? Isn’t it enough to have the label and live it?

For most people it is, I guess. For me… having something that is/should be one of my identities being just words, being this ephemeral, floaty nothing that I can’t wrap my mental hands around… it’s incredibly uncomfortable. It leaves me off balance and kind of flailing when I think about that part of myself.

I have to say, for all they can be a pain in the ass, these past months putting words to how my thinking works have left me incredibly grateful that words are a thing. I’ve come to suspect that if mindreading or telepathy ever do become a thing, they will be a supremely useless thing in many cases. If I were to be able to put my thoughts — my shape-feels — in your head, you would likely be more confused, not less. And visual people putting their thoughts in my head? Like, could I even perceive visual thoughts sent to me telepathically? How would that work even?

Scientists doing the whole ‘mind-reading computer thing’ have their work cut out for them, that’s for sure.

Am I Writing a Bigoted Story? – The importance of checking ourselves

I read a story once. It was a good story in the sense of being well written, engaging, with no major plot holes.

The author put a note in the beginning, explaining that this story was set in a fantasy version of the bronze age. This meant (of course) that there were slaves and women were not treated equal to men. That doesn’t make the author or the story sexist, it’s just a setting!

I think the author meant it. I think he had no intention of writing a sexist story. He was just (as far as he was concerned) writing a story in which sexism happened and slavery happened. He wasn’t endorsing these things, he just wanted to tell a story.

That story was Demon’s Gate by Steve White and it, more than anything else, taught me the danger of unexamined biases. And the importance of asking, “Am I creating a bigoted story?”

We, as creators, cannot afford to let our biases or our creations go unanalyzed, uncritiqued.

For instance…

A nobleman and his loyal slave discover something hinky at the palace. As they investigate they discover a group of noblewomen who are tired of being treated as, well, women. (You know, second class citizens, property of men, that kind of thing.) These women are fomenting some kind of plot against the empire. Except the (male) leader of their little cult is a demon in disguise who has tricked them into opening a gate into the demon’s realm. Once the gate is opened it will flood reality with demons who will turn the world into a literal hell on earth forever more.

The nobleman (and his loyal slave) break the cult by convincing one of the young women that the cult was wrong. The women needed to accept their place, not rebel against the status quo. This woman realizes she needs to tell the nobleman everything she can about the cult. The climax is an epic race against time to stop the women’s cult from opening the gate to the other world and a battle for the fate of mankind. The members of the cult are either killed or imprisoned. The demon is banished with the help of the one woman who is permitted to be a power in her own right (religious figure) and everyone lives happily ever after.

The premise of this story can be boiled down to “a bunch of women form a support group to try to better their lives and nearly bring about the end of the world.”

Just to highlight a few points:

1) Women trying to fight against oppression nearly destroy the world (literally)

2) Women only get the idea to fight against oppression when a man (or demon pretending to be a man) urges them to. Even in fighting against oppression, they follow the leadership of a man

3) Protagonist is a privileged slave owner who is a hero because he is fighting to preserve a corrupt, oppressive empire

The 1920s want their anti-suffragette memes back. And Dixie wants to know where the General Lee doppelganger got to.

But Realism!

There are a lot of issues with the endless calls for realism — especially in SFF! But that’s a tangent, because….

You can write stories in slave societies, in sexist societies, in elitist societies, in racist societies, and not have your story be bigoted!

David Freer does a not-horrible job of this in A Mankind Witch. By the end of the story, the Prince of the Holy Roman Empire gets some of his self-satisfied religious bigotry knocked out of him, a Nordic princess learns that putting a slave collar on a man doesn’t strip away his basic humanity, and a Berber pirate learns that there are things he cares about more than money and the next ransom. All while fighting free of a troll queen, outwitting dwarves, and solving a crime that nearly ends the fragile peace between the Northlands and the Holy Roman Empire.

Awesome story, I recommend it and the rest of the series.

Anyway, as creatives, we need to check ourselves and our work. It isn’t as simple as ‘if there is bigotry in your work it is bigoted’. Life doesn’t work that way.

We need stories that portray bigotry. We A) need to not erase bigotry from history (or current events) and B) we need to have stories celebrating people who triumph over bigotry.

Even if we didn’t need those stories, we still wouldn’t want to shut down all stories portraying bigotry – that would eliminate stories about the lived experiences of most people who have ever existed.

But we need to do the work to portray them well. We can create those stories without reinforcing the bigotry, without resurrecting bigoted ideas and tropes that should have died a century ago.

And we can damn well make our heroes people who are fighting against bigotry or learning important lessons about not being bigoted. Not bigots who are proved right by the stories we tell!

If you like fantasy in a Bronze-age setting, check out my novel Planting Life in a Dying City, about building family in the face of loss and trauma.

Welcome!

I’m Jess Mahler, and welcome to my home on the web.

As an author, I explore the breadth & boundaries of intimate relationships through unique speculative fiction worlds. Sweet, sexual or platonic, my stories are always queer, frequently polyamorous & sometimes kinky. No AI.

Here you will find information about my stories, my thoughts on writing, and other random things.

Starting Over

Four months or so ago I was seriously considering making a static website and trying to educate myself on how to do that.

Today, I need to say my health won’t allow for that in any reasonable time frame, so I’m stuck with my WordPress site.

Not happy with it, but I can live with it for now.

It’s been a bit over a year since I set myself the challenge to publish a book a month for one year. I knew going in I was pushing myself hard and had a high chance of failing, but I felt backed into a corner by Trump’s Big Fucking Bill and the need to quickly increase my income.

I actually did a bit better than I expected — managed to keep the stories coming for over half the year before I had to cut back hard to avoid burnout. Then of course I hit burnout over the summer anyway and haven’t published anything since then.

It was a good experience and I’m glad I tried it, but it’s not a viable path forward for me.

But that leaves the question…

What now?

Well, I’m finally writing again. I finished drafting Hunted and Called (formerly A Smear of Blood) and I’ll start drafting Our Girl Fangday (working title) on Nov 1. I’m also working a bit on world building for the sequel to Planting Life on the side.

I don’t have a publishing date for Hunted and Called. Sometime in 2027.

I’m done with publishing goals, at least for now. My attention is going to be on my writing and I’ll publish as and when I can.

This website is going to get an overhaul, and I’m going to start blogging again. I’ll try to get up at least one post a week, even if that post is just a haiku about the view out my window. I don’t have a plan yet for what I’m going to blog about. In the past I’ve tried to come up with a plan first and never found my feet. Instead I’m going to be pantsing this blog. I’ll write whatever feels right on the day and go from there.

I still have hopes to build a larger readership for my books. I’m still not entirely sure how to do that. I’m hoping blogging can be a start in that direction. Especially since a blog can double as an rss feed and newsletter.

(The url for this blog feed is http://jessmahler.com/feed if anyone is interested.)

Beyond that?

I’m taking it as it comes.

Thanks to all the friends and readers who have supported me this far. I’ll talk at you more next week. 😉

Lună’s Vision: Coming Feb 15

Book cover. (Mostly) white text on dark blue background. “Book 2 of Clan Lună” at top. “Lună’s Vision” with “Lună” in red and “Vision” in white above an image of a half moon. “Jess Mahler” at the bottom. Image is framed on two sides by decorative scrollwork.

A month ago I was alone.
My mother was dead, my clan scattered. Now I have my mates, a former mercenary team who didn’t know vampires existed before they met me. We had a rough start, but we’re working together now. Which is good, because my enemies found me. Luckily, Lună was looking out for us.
We’re in hiding now, trying to plan our next move, and figuring out how we all fit together. But before we can make our move, our enemies make theirs.
Just when I thought I could finally get laid.
Lună’s Vision is a slow burn paranormal romance and the second in a series about Natalia of the Lună vampires, her five mates, and the future they will build together. Contains FF, MM, and FMF relationships. No AI.

Find it on Smashwords, Itch and other booksellers.

Meadowsweet

Central image is a sleek, almost triangular spaceship flying in a starry void. Image is surrounded by a black oval on a brick red background. Text: ‘Meadowsweet’ above and ‘Jess Mahler’ below the central image

Anonymous post to the Galactic AITA

I’m the captain of a small trading ship, and I have a problem.

I have a ridiculously high sex drive thanks to that damn parasite from Verda, and I can’t afford surgery to remove it. I tried to control it, but I nearly destroyed my crew a dozen times before I found something that worked: A sex slave.

I buy a slave from people who are going to work her to death, give her good quarters, good food, and a percentage of each trading run. All I expect is that she be available for sex, mostly with me, sometimes with the crew. A lot.

I’ve had 3 so far. Two saved enough to buy themselves free and got a nice set up on the world of their choice. The third kept trying to escape so I ditched her at our next planetfall with the clothes on her back. We’re on our way to a so-called ‘Personnel Processing Platform’ to buy the next one.

Am I the Asshole?

Content warning: This is essentially a heavy non-consent/dubious consent story set in space. If you are uncomfortable with noncon, explicit sex and/or rape, or fictional slavery, this story isn’t for you. No AI

On Smashwords.

Dracula and the Wolfman?

Book cover, everything in shades of yellow-orange. A smiling face with beard look out at the viewer from the left side of the image. Text "Dracula and the Wolfman?" and "Jess Mahler"

If anyone finds out what Nick and Daniel get up to in their spare time, there will be hell to pay.

Vampires and werewolves have been on the edge of war for generations. They aren’t supposed to be friends. They certainly aren’t supposed to be dating. And the idea of them submitting to each other would horrify even the most broad minded of their families.

But as long as no one knows, they can enjoy their kinky lives to their hearts’ content. Right?

This M/M short story features pet play, vampire and werewolf switches, explicit sex, and a curious witch.

Now available

Planting Life in a Dying City

Book cover. Central image is a seedling growing out of a small pile of dirt, surrounded by a golden oval. Text: “Planting Life in a Dying City” “Jess Mahler”. Background is a faded image of an ancient city.

Left alone after a tsunami destroyed eir village, Lefeng would have walked into the mountains and not looked back. A child lost on the trails redirected eir course and another survivor planted the seed of an idea – a new family. Lefeng’s commitment to those ey comes to love will take em to the hated city and a new way of life. But in a slowly dying city, Lefeng’s determination can only carry them so far.

Set in a genderless world of polyamorous marriage, communal care work and multi-generational families, this queernormative tale abounds with details ranging from trauma recovery and neurodivergence to winter romance and city politics. Lovers of cozy narratives can soak in the story of long, steady, unsung work in these pages, the effort and joys of building lives together and building each other up. It’s an experience that will stay with you for a while.

If you can’t get enough of found family and queer fiction in fantasy, you’ll love Planting Life in a Dying City.

Now available

The Last Lady of Lună

Book cover. (Mostly) white text on dark blue background. “The Last Lady of Lună” with “Lună” in red overlaying the image of a crescent moon. “Jess Mahler” at the bottom. Image is framed on two sides by decorative scrollwork.

I was a child when enemies destroyed our clan. 

My mother escaped and raised me in secret. Without my fathers’ blood, she aged and died. Now I am the last head of Clan Lună. My enemies think I am dead, my clan is scattered to the winds, and I am just coming into my powers. I will claim my birthright, rebuild my clan, and destroy our enemies. I’m just going to need a bit of help.

Luckily I know where to find it. A hot team of human mercenaries specializing in security is looking for their next job. They’re exactly what I need. Now I just need to convince them to believe me, keep my secrets, and rain hell on my enemies.

And if Lună is still watching out for me, maybe I’ll finally get laid.

The Last Lady of Lună is a slow burn paranormal romance and the first in a series about Natalia of the Lună vampires, her five mates, and the future they will build together. Contains FF, MM, and FMF relationships. No AI.

Now available for on most retailers: https://books2read.com/u/m0LQYW

His New Master

Left cover is image of a man with dark hair and goatee wearing glasses. On the right is text, "Jess Mahler" in the top cover and "His New Master in bottom corner. Background is orange gradient.

Sold into slavery to pay his parents debts, Sam is happy with his kind mistress and predictable life. Until the day his mistress tells him he’s been sold… with no information on the person who now owns him, not even a name, Sam faces an uncertain and unknown future with His New Master.

A short mm fantasy romance of fresh starts and a massive mind f*ck.

Available on most retailers.